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Conferences & CFPs

Stuart Drama

Deadline: 16 October 2026

Proposals to be submitted via https://stuartdrama.com/cfp/stuart-drama

We invite proposals of 200-250 words for individual papers of fifteen-twenty minutes or lightning papers of five-ten minutes, or of up to 850 words for 90 minute panels comprising no more than four papers. Panel proposals should comprise a brief overview of the panel, followed by abstracts for each paper. We also welcome five-minute case-study presentations for two plenary roundtables that approach Stuart drama using the methods of either book history or theatre history. 

In addition to the conventional panel sessions, we are also keen to explore other forms of presenting scholarly research. These might include workshops and roundtables. If you would like to propose a session in an alternative format that will not last more than ninety minutes, please submit an outline of up to 600 words and an additional list of all speakers with a short (c. 50 word) summary on each, detailing how their expertise enriches discussions. 

Graduate students, early career academics and practitioners are encouraged to submit a proposal. 

Paper topics may address all aspects of seventeenth-century drama, including, (but not limited to):

  • Adaptation and alteration
  • Censorship, patents, licensing and illicit theatre
  • Colonialism and race
  • Conflict, civil unrest, rebellion and riot
  • Continental influences
  • Court culture
  • Environment and ecology
  • Gender and the body of the actor
  • History, memory and forgetting
  • Music in dramatic performance
  • Opposition to the playhouse
  • Playtexts and the printing of drama
  • Political culture
  • Practice as Research
  • Public playhouses
  • Spectacle and the fantastical
  • Touring companies (including the English companies who toured on the continent in the 1650s)
  • Repertory and acting companies
  • Theatre and the senses
  • Theatrical space
  • Visual and oral culture

The conference programme will include keynotes by Brandi Adams (Arizona State University), David McInnis (University of Melbourne), Lucy Munro (King’s College London), and Deborah Payne (American University, Washington DC) as well as plenary roundtables comprising emerging and established scholars on book history and editing early modern drama and those who research the material practices of performance. Additional activities will include a workshop led by Perry Mills, Director of Edward’s Boys, an opening reception and curator talk at the Walker Art Gallery, and a career development workshop for early career researchers.

Watching, Reading, Listening: The Early Modern Audience and Their Entertainments (1400-1800)

University of Birmingham, 13-14 January 2027

Keynote speakers: Professor Elaine Hobby, Professor Pete Smith as well as an evening performance

CfP deadline: 13 November 2026

Early modern audiences have received increased attention amongst scholars in recent years, invigorated by new interdisciplinary approaches. The period 1400-1800 marked major shifts: from manuscript to print culture, the rise of professional theatre, and the development of ‘amateur’ street and household performance. Whether gathered in rowdy playhouses, overhearing singers on the street, or engaged in devotional reading at home, audiences across this period could take many forms.

This conference aims to explore the opportunities and challenges that arise by centring the audience in discussions of early modern entertainment. In doing so, we hope to invite a unique opportunity to consider who was engaging with sources of entertainment, and why. Is a royal ordinance strictly a document that describes a law, or is it political theatre designed to stir a reaction in people? Is a printed ballad the final authority, or is its performance an opportunity for subversion?

Our definition of both audience and entertainment is necessarily capacious. You might consider a discussion on, although are not limited to:

  • Print audiences: readers, printers, buyers, and writers of marginalia
  • Theatre audiences: playgoers, spectators, dramatists
  • The street crowd & urban entertainment and spaces: ballad-singers, preachers, alehouses
  • Elite audiences: court-masques, operas, tournaments
  • Early modern soundscapes: over-hearing, sonic identities, multisensory experiences
  • Emotional and corporeal responses from audiences
  • Audience manipulation and propaganda: ephemera, rumour
  • Early modern visual culture and its audiences
  • Gender and audience
  • Theoretical approaches to audience: reader-response theories and imagined audience
  • Reception of classical and medieval text amongst early modern audiences
  • Afterlives, responses and imaginings of early modern audiences beyond the eighteenth century

We welcome abstracts of up to 250 words for individual research papers of 20 minutes in length, or 700 words for a panel of three people presenting on a shared topic or sub-theme. Please submit abstracts via this form before Friday 13th November 2026. (23:59 GMT). Successful applicants will be notified by Monday 30th November 2026. Papers are welcomed by PGRs and ECRs. A full programme will follow shortly. For more information or questions, please email: earlymodaudconfm4c@gmail.com or contact us on Instagram.

Imagining Difference in Early Modern London

Elm Bank, Coventry University, 22-23 March 2027
Keynote speakers: Chloë Houston and Nandini Das
CfP deadline: 31 October 2026

The late sixteenth and early seventeenth centuries were a time of significant social change, in which London’s population growth was driven by rising levels of immigration and internal migration. Increasingly, Londoners’ daily lives were inescapably shaped by encounters with both overseas immigrants and ‘Englishmen forren’ who migrated from rural areas. The resultant cross-cultural encounters have typically been read as either wary cooperation or outright xenophobia, yet parish records reveal a pattern of sustained interaction between migrants, immigrants, and Londoners, who lived alongside each other in areas like Silver Street, routinely intermarried, exchanged goods, and employed each other. ‘Imagining Difference in Early Modern London’ invites scholars to nuance such readings and to consider the ways in which these regional, social, religious, and cultural differences may have been assimilated rather than resisted. Participants are particularly encouraged to consider how these histories have influenced our thinking about migration today.

Proposals are invited for 20-minute papers or 60-minute panels (composed of three 20-minute papers each) in English that explore how Londoners experienced and negotiated forms of difference during the period c.1558-1685.  
Papers might focus on, but are not limited to, topics such as: 

  • Immigration, exile, captivity, or internal migration
  • Embassies and diplomacy
  • Traffic and trade
  • Crafts, trades, and workers
  • Hospitality and charity
  • Language learning and/or translation
  • Legal definitions and regulations
  • Literary, artistic, or cartographic depictions of difference
  • Identity and belonging
  • Forms of difference (religious, racial, gender, class, regional, national)
  • Other similarly active metropolitan areas such as Norwich or Bristol
  • Transcultural spaces (e.g. the Royal Exchange, trade companies, Lombard Street)

We encourage submissions from scholars of underrepresented backgrounds, particularly those working outwith Europe and North America. We especially welcome papers from graduate students and ECRs. 

Submission 
To submit an abstract (no longer than 250 words for an individual paper or 500 words for a three-person panel), please fill out the following form by 1 October 2026: Imagining Difference in Early Modern London – Fill in form

Please contact Chloe Fairbanks (chloe.fairbanks@coventry.ac.uk) with any questions or if you have any issues accessing the form.  

Imagining Difference is generously supported by the Leverhulme Trust. 

Pleasures and Social Life in the 18th Century

The Canadian Society for Eighteenth-Century Studies has just launched the Call for Papers for their forthcoming congress, to be held at Trois-Rivières in Quebec, 20-23 October 2027, on the theme of Pleasures and Social Life in the Eighteenth Century. The CfP deadline is 11 January 2027. Further details can be found here: https://tr2027.csecs.ca/en/appel